Movie Reviews By Movie Reviews Pro

(500) Days of Summer

Rating:

Movie: (500) Days of Summer (2009)

Studio : Fox Searchlight Pictures

Info : Click Here

Runtime : 95min

Website : foxsearchlight.com/500daysofsummer

Trailer :http://www.dailymotion.com/videox9q55j

Review:

(500) Days of Summer is the story of Tom Hansen (Joseph Gordon-Levitt) and his year-and-a-half on again/off again relationship with Summer Finn (Zooey Deschanel). Tom, a greeting card writer, falls head over heels for Summer, a new administrator at the same greeting card company, and is convinced that she is the one he’s been waiting for all of his life. We’re told that Tom believes that he’ll never be truly happy until he finds “the one”—hence the importance of discovering Summer Finn—and he’s carried this belief with him his entire life because of 80’s British pop music and a misreading of the film The Graduate. Summer, on the other hand, doesn’t really believe in love, at least not the kind of love Tom believes in, but insists on taking Tom on a ride that he and audiences will never forget.
Audiences also will have a hard time forgetting the performances by Joseph Gordon-Levitt and Zooey Deschanel. Gordon-Levitt’s Tom, wonderfully balanced with charm and sympathy, paired with Deschanel’s free-spirited and whimsical Summer makes their repartee so much fun to watch. They execute their parts so well, it’s really difficult to imagine anyone else playing these characters.

This script, by neophytes Scott Neustadter and Michael H. Weber, has Best Original Screenplay written all over it. It’s a combination of the best of the youthful, hip, music-induced flicks Garden State and Nick and Norah’s Infinite Playlist with the originality and freshness of Little Miss Sunshine. The “author’s note” at the beginning of the film implies that the author did, in fact, live this story. And there’s just enough realism in the script to believe that, perhaps, he did.

With such a splendid cast and such a solid script in place, Marc Webb could have just phoned in the direction. However, for his first major motion picture, this music video director decided to not let his considerable visual acumen go to waste. And though he uses every trick in the book—animation, split-screen screen, infectious music—it doesn’t feel overwrought.
Webb’s Los Angeles backdrop is the real winner here, and thanks to Webb, anybody under 40 who doesn’t want to visit L.A. after this film doesn’t have a pulse.

-Sam Henderson

Comedy, Drama, Romance 500 days of summer, Comedy, Drama, Romance

The Goods: Live Hard, Sell Hard

Rating:

Movie: The Goods: Live Hard, Sell Hard (2009)

Studio : Gary Sanchez Productions

Info : Click Here

Runtime : 90min

Website : None available

Trailer :http://www.dailymotion.com/videox9wjeq

Review:

The Goods: Live Hard, Sell Hard is a briskly paced, vulgar comedy that’s sure to offend. If you’re the right mindset, it’ll also entertain. I do urge conservative, PC-types to stay away from this movie, as there are quite a few moments that border (or more accurately, embrace) bad taste.

Jeremy Piven plays Don Ready, the charismatic leader of a sales team who travels to different car dealerships in order to help move their merchandise. At the beginning of the film, we’re introduced to Selleck Motors, a failing dealership that employs characters like Dick, a World War II veteran who spouts racial and homophobic epithets as if they were second nature, and Teddy Jang, who falls victim to Dick’s prejudices in an uncomfortable but hilarious scene. The owner, Ben Selleck, hires Ready’s team to help them move 200 cars over the Fourth of July weekend.

Piven’s sales team is the backbone of the movie. His staff includes Babs, a vixen who becomes infatuated with Selleck’s 10-year-old son, who looks like he’s 30 thanks to a genetic disorder. This infatuation provides some of the movie’s funniest moments. Ving Rhames brings a lot of his dry humor to the table as Jibby, a 42-year-old man who’s had a lot of sexual experiences, but has never “made love” to a woman (it’s only natural that he’ll find it in the movie). David Koechner fumes more and more as Selleck makes repeated passes at him.

In addition to providing laughs, the quick movie actually makes the sales process looks exciting. There is a virtuoso sequence as we watch the salespeople in action, using underhanded techniques such as the “Nigerian buyback” and there’s a sexually charged scene involving Babs and a male customer that must be seen to be believed. The reason I mention this is I sold luggage in a department store every summer while I was in college, and I found the job boring and the customers annoying, and I approached the job like it was something I “had” to do in order to make spending money. Had I seen this movie while in college, I may not have fallen in love with the job, but I may have been inspired to work a little harder at the process of “selling,” as opposed to just “making the sale.” All I can say is this movie sold me.

-Craig Wynne

Comedy Comedy

Adam

Rating:

Movie: Adam (2009)

Studio : Olympus Pictures

Info : Click Here

Runtime : 99min

Website : foxsearchlight.com/adam/

Trailer :http://www.dailymotion.com/videox9zn4g

Review:

Adam is 29 years old, living in an apartment he once shared with his father, and is a relatively good-looking man. He gets blatantly affectionate looks from women, is well-dressed, and is a hard worker at his job as an engineer at a local toy firm. With his awkwardness towards the opposite sex and his tendency to ramble about his passions, you would initially think he had the makings of a 40-Year-Old Virgin, but chances are you would never imagine he had something like Asperger’s Syndrome unless he said so.

When Beth, a budding children’s author and daughter to an influential executive accountant, moves in and meets the awkward fellow by chance, she finds herself entranced by him and, like the very satellites Adam rambles on, they begin to push and pull against each other in an orbital dance with each other that leads both into a predictable trajectory and impact you expect from a romance film, but with the trappings of a convincing relationship between a woman finding her own way in her world and a man learning to understand his own.

I have to say that the acting throughout the film is really good. It seems that every character with more than one dialogue in the role has at least one moment to pull out at least one good scene in the film (Frankie Faison steals quite a few as Adam’s mentor-like friend, Harlan). While Rose Byrne does not seem to shine as well as her counterpart Hugh Dancy, she more than makes up for it in the later half.

Kudos should also go to the cinematography for the film, where you can tell care was placed in shooting the location and getting the most visually-appealing scenes and compositions you could hope for in a film of this nature.

-Donald Lee

Comedy, Drama, Romance adam, Comedy, Drama, Max Mayer, Romance

Bruno Rating: 3.5 stars

Rating:

Movie: Brüno (2009)

Studio : Everyman Pictures

Info : Click Here

Runtime : 81min

Website : thebrunomovie.com

Trailer :http://www.vimeo.com/5307731

Review:

Camper than Liberace in hot-pants, Brüno is Sacha Baron Cohen’s latest “undercover” comic creation and controversy = cash generator. The movie focuses on the crass antics of Brüno Gehard, a fictional Austrian fashionista with a penchant for both Adolf Hitler and evermore extreme forms of anal intrusion. Fired from his job as host of Funkyzeit, Brüno sets his sights on conquering the dizzy heights of American celebrity culture.

Once this obviously frivolous story has been set up and the action moves to America – via a brief trip to the Middle East to meet some alleged terrorists – the fun really begins. There are many hilarious set-piece scenes throughout Brüno, including the breathtaking cage-fight finale, but the standout scene for me has to be Brüno’s parading of his adopted African baby on some sub-Jerry Springer talk-show. As we are in on the joke, our immediate temptation is to howl with laughter as Bruno shockingly informs the predominantly African American audience that he gave the baby a “traditional African name – OJ”. In fairness to the audience though, their outrage was actually proportionate (given that they thought they were witnessing someone who genuinely treated his baby as a fashion accessory). This audience, however, were never the true intended targets of Cohen’s satire, rather, it was the celebrity adoptions of Madonna and Angelina Jolie – and the ensuing media mayhem – that he was gunning for.

That is a trend that exists through all of Cohen’s work: he delivers the maximum amount of outrage per a square satirical inch both in the foreground of the action and also in the background, where the bigger picture lurks. He gives the bigots what they want on camera (which is to re-affirm their petrified world view), and in doing so he reveals their absurd and isolated thinking. Yet lest you imagine this is a movie with a cause in mind, you better think again. Cohen does not deliver the certainties that causes require, instead choosing to walk along a cinematic tightrope of chaotic comedy on one hand and stage-managed cynicism on the other. Sometimes he does stumble and leave you yearning for the sight of Borat in his slick green Speedos. Such feelings quickly pass however, as the prospect of Brüno spreading more of his hot comedy seed across your face keeps you glued to your seat throughout.

-Paul Meade

Comedy, In Theaters, Reviews by Genre borat, bruno, Comedy, sacha cohen