Movie Reviews By Movie Reviews Pro

It Might Get Loud

Rating:

Movie: It Might Get Loud (2009)

Studio : Steel Curtain Pictures

Info : Click Here

Runtime : 95min

Website : sonyclassics.com/itmightgetloud

Trailer :http://www.dailymotion.com/video/x9wjhd

Review:

On January 23, 2008, David Guggenheim gathered three rock icons from different generations and brought them into one warehouse for a discussion and jam session: Jimmy Page, U2’s The Edge, and Jack White. Together, they share their love of an instrument that they have based their fame on: the electric guitar.

Despite what the trailer may say, do not believe it! What you are seeing is hardly a documentary on the electric guitar. You get some remarks on electric guitars and how each of them was a part of their life, but this is not so much a documentary on the instrument as it is a history of how these three men came into the electric guitar and what brought them into becoming the artists they are. The furthest the film goes is remarking on what musical influence each person found that helped mentor them into finding the sound they wanted.

As you can imagine even with such a misleading premise, having three very influential guitarists discuss their past and their methodology with the instrument, coupled with some great music, still makes for an entertaining documentary (at least, if you like rock, which I do).

It seems that there might have been a plan to starkly contrast each of them since it begins with a stark difference in how The Edge engineers his sounds together through a sound lab versus Jack White’s “use it until you break it” methodology, but it seems to break down along the way into what I said before. This breakdown is actually welcome since you can feel this genuine fraternity between these three men, right down to an unplugged jam session during the credits that you almost have to hesitate applauding to.

So as an electric guitar documentary? A solid B-flat. As a documentary of three guitar greats and some of their music as well as influences? Plug yourself in and remember: it might get awesome.

-Donald Lee

Documentary, Music Documentary, Music

(500) Days of Summer

Rating:

Movie: (500) Days of Summer (2009)

Studio : Fox Searchlight Pictures

Info : Click Here

Runtime : 95min

Website : foxsearchlight.com/500daysofsummer

Trailer :http://www.dailymotion.com/video/x9q55j

Review:

(500) Days of Summer is the story of Tom Hansen (Joseph Gordon-Levitt) and his year-and-a-half on again/off again relationship with Summer Finn (Zooey Deschanel). Tom, a greeting card writer, falls head over heels for Summer, a new administrator at the same greeting card company, and is convinced that she is the one he’s been waiting for all of his life. We’re told that Tom believes that he’ll never be truly happy until he finds “the one”—hence the importance of discovering Summer Finn—and he’s carried this belief with him his entire life because of 80’s British pop music and a misreading of the film The Graduate. Summer, on the other hand, doesn’t really believe in love, at least not the kind of love Tom believes in, but insists on taking Tom on a ride that he and audiences will never forget.
Audiences also will have a hard time forgetting the performances by Joseph Gordon-Levitt and Zooey Deschanel. Gordon-Levitt’s Tom, wonderfully balanced with charm and sympathy, paired with Deschanel’s free-spirited and whimsical Summer makes their repartee so much fun to watch. They execute their parts so well, it’s really difficult to imagine anyone else playing these characters.

This script, by neophytes Scott Neustadter and Michael H. Weber, has Best Original Screenplay written all over it. It’s a combination of the best of the youthful, hip, music-induced flicks Garden State and Nick and Norah’s Infinite Playlist with the originality and freshness of Little Miss Sunshine. The “author’s note” at the beginning of the film implies that the author did, in fact, live this story. And there’s just enough realism in the script to believe that, perhaps, he did.

With such a splendid cast and such a solid script in place, Marc Webb could have just phoned in the direction. However, for his first major motion picture, this music video director decided to not let his considerable visual acumen go to waste. And though he uses every trick in the book—animation, split-screen screen, infectious music—it doesn’t feel overwrought.
Webb’s Los Angeles backdrop is the real winner here, and thanks to Webb, anybody under 40 who doesn’t want to visit L.A. after this film doesn’t have a pulse.

-Sam Henderson

Comedy, Drama, Romance 500 days of summer, Comedy, Drama, Romance

Ponyo

Rating:

Movie: Ponyo (2009)

Studio : Studio Ghibli

Info : Click Here

Runtime : 103min

Website : disney.go.com/disneypictures/ponyo

Trailer :http://www.dailymotion.com/video/x9nxls

Review:

Ponyo is the name of a fish that escapes to the world of men and befriends a young boy, Sosuke, who lives in a harbor town. Ponyo’s father disagrees with her interacting with the world of man and tries to stop her, and what results is a sort of modern fairy tale of young love.

It seems that after Studio Gibli mastered the use of integrating cgi into animation, Ponyo returns to an emphasis on hand-drawn cel animation. You can tell the difference from the unpolished feel of the art that makes it feel more homey and even enhances the storybook feel in certain parts.

I applaud the effort, but at the same time it feels like the animators have been out of touch with this medium for quite some time. While there are some amazing scenes that I am impressed at, a lot of the basic animation is, well… really basic! There is almost no consideration for integrating the characters with their backgrounds, and this difference becomes distracting. I may sound like I am being harsh on Miyazaki’s vision here, but compare this film to his earlier work like, say, Nausicaa of the Valley of the Wind and you can tell that the same crack team that made such a detailed and interactive world is not there this time around.

For a story there really is not much of a tale here, either. There is a dramatic push in the film for some sort of climax, and it never really gets there. That’s fine that a film of this nature should have no sense of emergency, but the “danger” inherent in the story seems tacked on. Add this with an ending that feels rushed and you have one of the weaker films of the Miyazaki legacy.

Still, this may just be a stepping stone for him to return to those days in the past. His approach may have even been the encouragement behind Disney’s work on their newly anticipated film The Frog Princess, which touts a return to hand-drawn cel animation and so far looks visually stunning. In the meantime, I look forward to seeing Miyazaki’s next project in the hopes that he really pushes his vision back into this old medium.

-Donald Lee

Adventure, Animation, Family, Fantasy Adventure, Animation, Family, Fantasy, Hayao Miyazaki, ponyo

G.I. Joe: The Rise of Cobra

Rating:

Movie: G.I. Joe: The Rise of Cobra (2009)

Studio : Paramount Pictures

Info : Click Here

Runtime : 118min

Website : gijoemovie.com

Trailer :http://www.dailymotion.com/video/xa0ryb

Review:

And so comes one of the most anticipated movies of the year, G.I. Joe: The Rise of Cobra. Having been a fan of the cartoons and the action figures as a kid, I was excited to see this movie. As I watched, that excitement dwindled.

This movie seems to want to do for the cartoons what Phantom Menace did for the Star Wars movies. At the beginning of the film, we see two Special Op soldiers, Duke and Ripcord, being recruited for the G.I. Joe unit led by General Hawk. Their current mission seems to involve the retrieval of four nuclear warheads from the evil Cobras, before they destroy world landmarks, although this plot element unfolded in such a slapdash manner that I had a hard time grasping the logic of why the Joes would even be involved in this mission.

No matter: you don’t watch a movie like this for the story, which seems to be mostly background material so that the makers can create explosions and dogfights for the blockbuster action crowd. That being said, the movie is well-made on a technical level, but the special effects don’t make up for a lack of story. I love an action movie best when well-drawn characters who are fighting for something at stake. For most of the movie, I didn’t care whether the Joes retrieved these warheads because the makers didn’t take the time to make characters we could root for (the cartoons, campy as they were, actually had stories and distinguishing differences between characters).

The movie began to grow on me in the last hour, as some of the backstories involving Storm Shadow, a troubled ninja, and Barroness, Duke’s ex-fiance gone Cobra, engaged my interest. Marlon Wayans also provides some good comic relief as Ripcord as he jive-talks and takes pratfalls in a robotic suit of armor, but these things don’t bring the movie up to the level.

The ending all but tells us that there will be a sequel in the future. If and when it comes out, I’ll probably end up watching it on someone else’s Netflix subscription with a group of friends and a case of beer. If you must see this movie, I recommend that you learn from my mistake and save it for that particular forum.

-Craig Wynne

Action, Adventure, Sci-Fi, Thriller Action, Adventure, gi joe, sci-fi