Movie Reviews By Movie Reviews Pro

Funny People - Adam Sandler

Rating:

Movie: Funny People (2009)

Studio : Columbia Pictures

Info : Click Here

Runtime : 140min

Website : www.funnypeoplemovie.com

Trailer :http://www.dailymotion.com/video/x8fy1t

Review:

Funny People is the third directorial effort from Judd Apatow.  While this movie has the same amount and degree of laughter as Knocked Up and The 40-Year-Old Virgin, I felt this one was a lot deeper and darker than those two efforts.
 
Adam Sandler stars in this movie as George Simmons, a Sandleresque comedian who has achieved fame and prosperity, but is essentially a lonely man.  He begins to reevaluate his life when he’s informed that he is dying of a rare blood disorder.  Seth Rogen is Ira Wright, a struggling comedian who writes good jokes, but whose awkward on-stage delivery keeps him from progressing to the big time.

Simmons’ disease prompts him to return to his roots by performing at one of the clubs where he got his start, and by chance, he happens to catch Wright performing.  Seeing some potential in the young comic, Simmons decides to hire Wright as his joke writer/assistant.

The routines performed by the comics are hilarious, and the interplay between the two leads is fantastic.  Rogen slimmed down for this role, and he’s not playing the usual slacker he normally embodies.  He’s passionate and determined in his ambition to make it to the next level, and we root for him to do so.

I’ve always been a fan of Sandler’s work, and he conveys the same darkness and complexity that he brought to Punch Drunk Love.  His character has made some bad decisions in his life and is not a very nice person as evidenced by the way he treats his new assistant.  Still, we identify with his pain and loneliness, and we root for him to get what he wants.

His driving desire is to get back together with Laura (well-played by Leslie Mann), his ex-fiance whom he still loves, but lost several years earlier due to his philandering ways.  The final act of the movie involves Simmons and Wright driving up to San Francisco, where she’s settled into the domestic life with an absent husband and two daughters.  Her marriage has been tumultuous for years, and the arrival of the two comedians brings this tension to the surface.  At the risk of spoiling a plot point, I’ll say that this subplot ends on a surprising note, but one that’s entirely fitting to the behavior of these characters.

Funny People has a number of laughs, but the script also makes us think about human nature, mortality, and the essence of friendship.  It’s Apatow’s (and Sandler’s) best work yet. 

-Craig Wynne

Comedy, Drama, In Theaters, Reviews by Genre adam sandler, Comedy, Drama, funny people

Orphan - Jaume Collet-Serra

Rating:

Movie: Orphan (2009)

Studio : Warner Bros.

Info : Click Here

Runtime : 123min

Website : orphan-movie.warnerbros.com

Trailer : http://www.dailymotion.com/video/x8qjbh

Review:

Movies about creepy kids have long been a reliable box office draw. Usually consisting of some seemingly angelic little boy or girl who starts out all wide-eyed and innocent but in the end is revealed to be a granny-mangling demon from the bowels of pre-pubescent hell, this sub-genre has given us such nightmarish cinematic icons as Regan from The Exorcist and Damian from The Omen.

The Orphan probably sits somewhere between the above classic examples of how to do creepy kid movies and Children of the Corn (as an example of how not to). Essentially it’s a domestic horror tale centering on the troubled Coleman clan and the swirling black-hole of loss and guilt that resides at the core of the family. We soon come to learn that the black-hole is the result of the tragic loss of Kate and John’s unborn baby. Kate is in therapy for her drinking problem while John deals with things by wandering around the house in a near perfect state of semi-consciousness. And so, to fill in the hole they decide to adopt another (older) child. Enter Esther.

Believed to be born in Russia and possessing prodigious musical and artistic abilities, the delightfully polite Esther immediately impresses Kate and John with her quiet and sad demeanor and they quickly decide to take her home from the orphanage. What was interesting at this point was that Esther was not simply being depicted as a one-dimensional mini -monolith of evil, but rather seemed genuinely vulnerable and moved by her introduction to the Colemans’ (relatively) stable family life.

It wasn’t long however before the creepy kid clichés began to pile up. But still, I reassured myself, that’s okay – heck, you could argue that all genre movies are just a series of orchestrated clichés! It was in the final act though that I finally gave up on The Orphan. Back-pedaling furiously from the complex position of having created an almost sympathetic killer kid, the film-maker instead took the easy way out by inserting one of the most ridiculous “twists” to come down the pipeline since Bobby Ewing came back from the dead in Dallas. Yes, the “twist” did answer a few (unimportant) questions – but it also provoked a new one: why did I spend $10 dollars on this crap?

In the end, despite the strong first half, the only person I would recommend this orphan to is Madonna.

-Paul Meade

Drama, Horror, In Theaters, Mystery, Thriller Drama, Horror, Mystery, orphan, Thriller

The Hurt Locker- Kathryn Bigelow

Rating:

Movie: The Hurt Locker (2009)

Studio : Kingsgate Films

Info : Click Here

Runtime : 130min

Website : thehurtlocker-movie.com

Trailer : http://www.dailymotion.com/video/x91vpy

Review:

The Hurt Locker is the story the Army’s elite Explosive Ordinance Disposal (EOD) squad and their call to missions in modern-day Iraq. The story focuses on the Bravo Company, specifically commissioned to handle IEDs or Improvised Explosive Devices. We follow this company—which comprises Staff Sergeant William James (Jeremy Renner), Sergeant J.T. Sanborn (Anthony Mackie), and Specialist Owen Eldridge (Brian Geraghty)—on their 39-day tour of Iraq. We watch as they weave through each mission with their lives on the line, and as they consistently escape death, the layers of their complicated emotions and intentions unfold right before us.

It doesn’t take very long to realize that the real star of this film is director Kathryn Bigelow. Although her claim to fame up to this point might be Point Break and being the mega-director James Cameron’s former better half, this movie should cement her as a serious and formidable new voice.

The amazingly authentic script by Mark Boal aids her vision. Much like In the Valley of Elah, Boal has researched a real story in order to create a compelling fictitious one. Here, Boal imbedded himself with an actual EOD squad and fashioned himself part-journalist, part-screenwriter. And upon the viewing of this film, it will be hard to deny that he has succeeded exceptionally as both.

Jeremy Renner as Sergeant James does a commendable job of turning his performance into a bona-fide character study. As the most complex character, he gives an appropriately understated performance while maintaining a certain amount of bravura, making him fascinating to watch.

There’s a noticeable dip in the quality of the action at the end of the second act where a particular soldier goes AWOL. It’s the only part of the movie that feels a little “Hollywood.” Nevertheless, it doesn’t take away from the overall excellence of the film, and fortunately, it gets back on track shortly thereafter.

However, there is a major oversight that does affect the overall impression of this film: Although directed by a female, it is mysteriously devoid of female soldiers. For a film that’s committed to being so real and so true, it’s an unfortunate critique for a film that is otherwise virtually flawless.
 
The crux of this film lies within its final 5-10 minutes. And it’s these minutes that catapult it from being a run-of-the-mill war story to modern parable.

-Sam Henderson

Action, Drama, In Theaters, Thriller, War Action, Drama, hurt locker, Thriller, War

Moon - Sam Rockwell

Rating:

Movie: Moon (2009)

Studio : Liberty Films UK

Info : Click Here 

Runtime : 97min

Website : sonypictures.com/classics/moon/

Trailer : http://www.dailymotion.com/video/x9jn9l

Review:

It’s been a while since I thought of Gerry Anderson’s Space1999, but Moon, directed by Duncan ‘I’m-David-Bowies’-kid-Jones made me feel all nostalgic for that long-ago TV series…and a whole lot more. This is a throw-back to the science-fiction films I grew up on, heavy on character, idea and story (remember ‘story’ kids?) and less on any real effects. I had thought this kind of science fiction filmmaking was over and I was tickled to see the use of miniatures (I assume), imaginatively treated sets, clothes and neato vehicles making a comeback. Used to be I could suspend belief quite easily because effects didn’t take me out of the element of the film but because of the recent spate of ridiculous CGI it’s been a long time for me to really get into and believe a film of a fantastic nature.

 Moon had me believing I really was ‘up there’ with Rockwell and his dilemma. 
Sam Rockwell playing Sam Bell, treats us to an unnerving 97 minutes, centered round the perfect dusty tightness of cinematographer Gary Shaw’s movements and sets. As we should all come to expect from Rockwell, his performance is top rate, in what can only be described, in the strictest sense of the word, a ‘dual role’. I knew the guy could act ever since I saw him as Chuck Barris in Confessions Of A Dangerous Mind but watch the guy in this movie and you’re convinced he is one of the best of his generation.

Helped along by his GERTY robot (voiced by Kevin Spacey) a mystery is slowly revealed to explain just what and who Sam really is. And while laconic movies of this type usually implode after the secret is out, it is a testament to the power of Nathan Parker’s screenplay (Jones wrote the story but then handed screen writing over to Parker) and Rockwell’s amazing acting chops that keeps one engrossed with Moon, on the Moon, about Moon ‘til the very end.
 
-Ralph Greco, Jr.

In Theaters, Mystery, Sci-Fi, Thriller Kevin Spacey, Mystery, scifi, Thriller