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Archive for 2009

Adam

August 16th, 2009
Adam

Adam

Rating: ★★★★½

Movie: Adam (2009)

Studio : Olympus Pictures

Info : Click Here

Runtime : 99min

Website : foxsearchlight.com/adam/

Trailer :http://www.dailymotion.com/video/x9zn4g

Review:

Adam is 29 years old, living in an apartment he once shared with his father, and is a relatively good-looking man. He gets blatantly affectionate looks from women, is well-dressed, and is a hard worker at his job as an engineer at a local toy firm. With his awkwardness towards the opposite sex and his tendency to ramble about his passions, you would initially think he had the makings of a 40-Year-Old Virgin, but chances are you would never imagine he had something like Asperger’s Syndrome unless he said so.

When Beth, a budding children’s author and daughter to an influential executive accountant, moves in and meets the awkward fellow by chance, she finds herself entranced by him and, like the very satellites Adam rambles on, they begin to push and pull against each other in an orbital dance with each other that leads both into a predictable trajectory and impact you expect from a romance film, but with the trappings of a convincing relationship between a woman finding her own way in her world and a man learning to understand his own.

I have to say that the acting throughout the film is really good. It seems that every character with more than one dialogue in the role has at least one moment to pull out at least one good scene in the film (Frankie Faison steals quite a few as Adam’s mentor-like friend, Harlan). While Rose Byrne does not seem to shine as well as her counterpart Hugh Dancy, she more than makes up for it in the later half.

Kudos should also go to the cinematography for the film, where you can tell care was placed in shooting the location and getting the most visually-appealing scenes and compositions you could hope for in a film of this nature.

-Donald Lee

Comedy, Drama, Romance , , , ,

Brüno

August 12th, 2009
Bruno

Bruno Rating: 3.5 stars

Rating: ★★★½☆

Movie: Brüno (2009)

Studio : Everyman Pictures

Info : Click Here

Runtime : 81min

Website : thebrunomovie.com

Trailer :

 

Review:

Camper than Liberace in hot-pants, Brüno is Sacha Baron Cohen’s latest “undercover” comic creation and controversy = cash generator. The movie focuses on the crass antics of Brüno Gehard, a fictional Austrian fashionista with a penchant for both Adolf Hitler and evermore extreme forms of anal intrusion. Fired from his job as host of Funkyzeit, Brüno sets his sights on conquering the dizzy heights of American celebrity culture.

Once this obviously frivolous story has been set up and the action moves to America – via a brief trip to the Middle East to meet some alleged terrorists – the fun really begins. There are many hilarious set-piece scenes throughout Brüno, including the breathtaking cage-fight finale, but the standout scene for me has to be Brüno’s parading of his adopted African baby on some sub-Jerry Springer talk-show. As we are in on the joke, our immediate temptation is to howl with laughter as Bruno shockingly informs the predominantly African American audience that he gave the baby a “traditional African name – OJ”. In fairness to the audience though, their outrage was actually proportionate (given that they thought they were witnessing someone who genuinely treated his baby as a fashion accessory). This audience, however, were never the true intended targets of Cohen’s satire, rather, it was the celebrity adoptions of Madonna and Angelina Jolie – and the ensuing media mayhem – that he was gunning for.

That is a trend that exists through all of Cohen’s work: he delivers the maximum amount of outrage per a square satirical inch both in the foreground of the action and also in the background, where the bigger picture lurks. He gives the bigots what they want on camera (which is to re-affirm their petrified world view), and in doing so he reveals their absurd and isolated thinking. Yet lest you imagine this is a movie with a cause in mind, you better think again. Cohen does not deliver the certainties that causes require, instead choosing to walk along a cinematic tightrope of chaotic comedy on one hand and stage-managed cynicism on the other. Sometimes he does stumble and leave you yearning for the sight of Borat in his slick green Speedos. Such feelings quickly pass however, as the prospect of Brüno spreading more of his hot comedy seed across your face keeps you glued to your seat throughout.

-Paul Meade

Comedy, In Theaters, Reviews by Genre , , ,

Harry Potter and the Half-Blood Prince

August 9th, 2009
Harry Potter and the Half-Blood Prince 	Rating: Four stars

Harry Potter and the Half-Blood PrinceRating: Four stars

Rating: ★★★★☆

Movie: Harry Potter and the Half-Blood Prince (2009)

Studio : Warner Brothers Pictures

 Info : Click Here

Runtime : 153min

Website : harrypotter.warnerbros.com/harrypotterandthehalf-bloodprince

Trailer :http://www.dailymotion.com/video/x99zz1

 

Review:

There’s a scene at the beginning of Harry Potter and the Half-Blood Prince where Professor McGonagall (always wonderfully played by Maggie Smith) says to Harry, Ron Weasley, and Hermione Granger, “Why is it whenever something happens, you three always seem to be in the center of it?”  Ron replies, “I’ve been wondering that myself.”  That’s basically the essence of the entire series, but these three kids (now teenagers) are so charismatic and likable that we accept everything and take the ride with them.
 
Harry Potter and the Half-Blood Prince is the sixth installment in this huge franchise, and for those who haven’t read the books, I’ll give a brief plot summary: there’s strong sentiment going around the wizard world as to whether Harry Potter is the “Chosen One,” that is, the person who has been chosen to fight Lord Voldemort and save all of humanity.  Harry’s also found a book in his Potions class that belonged to the Half-Blood Prince, and this book is able to help him create potions.  Meanwhile, more ominous things are happening at Hogwarts, and Lord Voldemort may be working through Harry’s archenemy, Draco Malfoy, in order to wreak havoc.  We also learn more about the Dark Lord’s past, and see how Dumbledore inadvertently groomed him in order to become the force of mass destruction he is today. 
 
All of this stuff is fun and exciting, and we’re seeing a less whimsical and much darker Hogwarts than we have in the previous films.  The film seems to be mostly shot in neutral tones, which works very well given the secrets and histories we’re exposed to in this installment.  It does lag somewhat as we move towards the final sequence, but that’s only for about 15 minutes in a two-and-a-half hour film, and the conclusion left me stunned (even after I knew what was coming from having read the books).
 
Still, my favorite parts of the film had nothing to do with the suspense portion.  Harry, Ron, and Hermione have blossomed into teenagers, and they’re all experiencing true romance for the first time.  There are some well-observed moments here, as Hermione scowls while Ron becomes involved with another girl, and Ron’s sister Ginny grows increasingly infatuated with Harry.  I, along with several others, laughed out loud at some of their behavior, because watching it indeed reminded me of what it was like for me to be in love as a teenager. 

This is a good film.  It’s not my favorite of the series, but the action in this movie is as exciting as it was in the previous entries, and thus far, it’s the most human. 
 

-Craig Wynne

Action, Adventure, Family, Fantasy, In Theaters, Mystery, Reviews by Genre, Reviews by Status, Romance , , , , ,

Funny People

August 9th, 2009
Funny People - Adam Sandler

Funny People - Adam Sandler

Rating: ★★★★½

Movie: Funny People (2009)

Studio : Columbia Pictures

Info : Click Here

Runtime : 140min

Website : www.funnypeoplemovie.com

Trailer :http://www.dailymotion.com/video/x8fy1t

 

Review:

Funny People is the third directorial effort from Judd Apatow.  While this movie has the same amount and degree of laughter as Knocked Up and The 40-Year-Old Virgin, I felt this one was a lot deeper and darker than those two efforts.
 
Adam Sandler stars in this movie as George Simmons, a Sandleresque comedian who has achieved fame and prosperity, but is essentially a lonely man.  He begins to reevaluate his life when he’s informed that he is dying of a rare blood disorder.  Seth Rogen is Ira Wright, a struggling comedian who writes good jokes, but whose awkward on-stage delivery keeps him from progressing to the big time.

Simmons’ disease prompts him to return to his roots by performing at one of the clubs where he got his start, and by chance, he happens to catch Wright performing.  Seeing some potential in the young comic, Simmons decides to hire Wright as his joke writer/assistant.

The routines performed by the comics are hilarious, and the interplay between the two leads is fantastic.  Rogen slimmed down for this role, and he’s not playing the usual slacker he normally embodies.  He’s passionate and determined in his ambition to make it to the next level, and we root for him to do so.

I’ve always been a fan of Sandler’s work, and he conveys the same darkness and complexity that he brought to Punch Drunk Love.  His character has made some bad decisions in his life and is not a very nice person as evidenced by the way he treats his new assistant.  Still, we identify with his pain and loneliness, and we root for him to get what he wants.

His driving desire is to get back together with Laura (well-played by Leslie Mann), his ex-fiance whom he still loves, but lost several years earlier due to his philandering ways.  The final act of the movie involves Simmons and Wright driving up to San Francisco, where she’s settled into the domestic life with an absent husband and two daughters.  Her marriage has been tumultuous for years, and the arrival of the two comedians brings this tension to the surface.  At the risk of spoiling a plot point, I’ll say that this subplot ends on a surprising note, but one that’s entirely fitting to the behavior of these characters.

Funny People has a number of laughs, but the script also makes us think about human nature, mortality, and the essence of friendship.  It’s Apatow’s (and Sandler’s) best work yet. 

-Craig Wynne

Comedy, Drama, In Theaters, Reviews by Genre , , ,